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Jeevi                        rating: 3.25/5
                    Punchline: Chandamama Katha
                    Genre: Adventure/Fantasy
                    Type: Straight
                  Banner: ABODE Entertainment & Walt Disney
Cast: Siddharth, Shruti Hassan, Lakshmi Manchu, Baby Harshita, Ravi Babu, Brahmanandam, Tanikella Bharani, Ali, Subbaraya Sharma etc.
 Music:  M M Keeravani, Koti, Mickey J Meyer, Salim-Sulaiman
                    Background Music:  Salim-Sulaiman
                    Dialogues: T Sasi Rajasimha
                    Cinematography: S Soundar Rajan
                    Editor: Shravan Katikaneni
                    Stunts and action: Dee Dee Ku, William Ong, Selva & Vijay
                    Art: Bhupesh R. Bhupathi
                    Visual Effects: Firefly
                    Production design: Raj Golay
                    Presented by: Walt Disney Pictures and K Raghavendra Rao
                    Story - screenplay - direction: Prakash Kovelamudi
                    Producer: Prasad Devineni and Prakash Kovelamudi
                    Release date: 14 January 2011
Theater watched: Screen 3, Prasads, Hyderabad
Review
Story
                         
                             Irendri (Lakshmi Manchu) is a witch who takes over the world from her  place - Angarajyam. Moksha (Baby Harshita) is a small girl who has  special divine powers. Yodha (Siddharth) is a blind warrior. Irendri  wants to kill Moksha and Yodha is entrusted with the job of gaurding  Moksha. The rest of the story is all about how Moksha gets rid of  Irendri with the help of Yodha. There is also a love story for Yodha.
  Irendri (Lakshmi Manchu) is a witch who takes over the world from her  place - Angarajyam. Moksha (Baby Harshita) is a small girl who has  special divine powers. Yodha (Siddharth) is a blind warrior. Irendri  wants to kill Moksha and Yodha is entrusted with the job of gaurding  Moksha. The rest of the story is all about how Moksha gets rid of  Irendri with the help of Yodha. There is also a love story for Yodha. 
Artists Performance
 It is virtually impossible for any young hero in Telugu cinema to  accept a blind man’s role. Siddharth is very brave to brace this  character that flows with the narration of the movie.  Siddharth is fabulous. Shruti Hassan is glamorous with her exotic  looks. However, it is Lakshmi Manchu who steals the show. Her make-up,  dialogue delivery and screen presence is terrific. Baby Harshita is  impressive with her work. Ravi Babu is nice as the lieutenant of witch  with the funny oneliner ‘nimma daanimma’. Brahmanandam and Ali have a few funny scenes.
   It is virtually impossible for any young hero in Telugu cinema to  accept a blind man’s role. Siddharth is very brave to brace this  character that flows with the narration of the movie.  Siddharth is fabulous. Shruti Hassan is glamorous with her exotic  looks. However, it is Lakshmi Manchu who steals the show. Her make-up,  dialogue delivery and screen presence is terrific. Baby Harshita is  impressive with her work. Ravi Babu is nice as the lieutenant of witch  with the funny oneliner ‘nimma daanimma’. Brahmanandam and Ali have a few funny scenes. 
Technical departments
 Story - screenplay - direction: Story  of the film is like Chandamama katha (fairy tale). The director didn’t  succumb to the commercial trap and narrated it in a way it should be.  Prakash Kovelamudi is excellent with visuals and presentation. He is  highly imaginative. He introduced all the characters excellently.  However, the movie has only one orientation throughout the movie - witch  seeking the kid. A couple of secrets revealed in the second half are  interesting. But, he couldn’t get the emotions strong enough on the  screen to rise the tempo.
Story - screenplay - direction: Story  of the film is like Chandamama katha (fairy tale). The director didn’t  succumb to the commercial trap and narrated it in a way it should be.  Prakash Kovelamudi is excellent with visuals and presentation. He is  highly imaginative. He introduced all the characters excellently.  However, the movie has only one orientation throughout the movie - witch  seeking the kid. A couple of secrets revealed in the second half are  interesting. But, he couldn’t get the emotions strong enough on the  screen to rise the tempo. 
 Other departments:  Songs are composed by 4 different music directors and all the songs are  good. Background music composed by Salim Sulaiman is excellent. Visuals  in this movie are of extraordinary quality. It is the result of  collective team work by the cinematographer (Sounder Rajan) and visual  effects team (Firefly). There are many visual effects that doesn’t  appear like effects to naked eyes. There are graphics worth 72 minutes  in this movie (half of the total runtime). Art direction by Bhupesh  Bhupathi is superb. The costumes, make-up and get-ups are of top-notch.  Dialogues by T Rajasimha are pretty good and they might sound odd for  the regular moviegoers because the dialogues were written in pristine  Telugu though he used contemporary cheap words like jaffa. Production  values of the movie are humongous. Disney has made sure that their first  Indian production is at par with their Hollywood projects in terms of  technical and production values.
Other departments:  Songs are composed by 4 different music directors and all the songs are  good. Background music composed by Salim Sulaiman is excellent. Visuals  in this movie are of extraordinary quality. It is the result of  collective team work by the cinematographer (Sounder Rajan) and visual  effects team (Firefly). There are many visual effects that doesn’t  appear like effects to naked eyes. There are graphics worth 72 minutes  in this movie (half of the total runtime). Art direction by Bhupesh  Bhupathi is superb. The costumes, make-up and get-ups are of top-notch.  Dialogues by T Rajasimha are pretty good and they might sound odd for  the regular moviegoers because the dialogues were written in pristine  Telugu though he used contemporary cheap words like jaffa. Production  values of the movie are humongous. Disney has made sure that their first  Indian production is at par with their Hollywood projects in terms of  technical and production values.
 Analysis:           When was the last time we have the hero playing the role of a blind  man? When was the last time a Telugu movie had a young woman as a  villain? Anaganaga O Dheerudu is a brave attempt that defies many  stereotypes and cliches of Telugu cinema. But at the same time, it is  extremely important for any director to get the emotions flared up at  the crux moments. Prakash Kovelamudi who stuck with the script made sure  that the story is narrated like a fairy tale, but he couldn't get the  right emotions/tempo (suspense or utkantha) towards the climax  of the movie. The plus points of the movie are extraordinary visuals,  lead performances (especially Lakshmi Manchu) and classic style of  story-telling. The negative point of the movie is the lack of emotional  depth/connect. On a whole, Anaganaga O Dheerudu is a universal movie  that aims at kids in the family and the kid inside you.
Analysis:           When was the last time we have the hero playing the role of a blind  man? When was the last time a Telugu movie had a young woman as a  villain? Anaganaga O Dheerudu is a brave attempt that defies many  stereotypes and cliches of Telugu cinema. But at the same time, it is  extremely important for any director to get the emotions flared up at  the crux moments. Prakash Kovelamudi who stuck with the script made sure  that the story is narrated like a fairy tale, but he couldn't get the  right emotions/tempo (suspense or utkantha) towards the climax  of the movie. The plus points of the movie are extraordinary visuals,  lead performances (especially Lakshmi Manchu) and classic style of  story-telling. The negative point of the movie is the lack of emotional  depth/connect. On a whole, Anaganaga O Dheerudu is a universal movie  that aims at kids in the family and the kid inside you.